⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁣⁠‍‌‍
⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁣⁠‌⁢‍
⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁠⁣‍‌⁢‌
⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁣‌⁣‌⁣
‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁠‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢‌⁠‌⁠‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁣⁣⁤⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁢‍⁤⁣
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁠⁠‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍⁠⁢⁤‌⁣
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢‍⁢⁠‌‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁢‌‍‌⁣
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‍⁢‌⁢‍⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁠⁣

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁣‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁢⁠‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‍⁢‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍⁠⁢‍⁠⁤‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁠‍⁢⁢⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‍⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍‌⁢‌
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁣‍⁠‍⁢‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍⁢‍‌⁠⁠‍
      ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‍⁠‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁣⁣⁠⁣⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁣‍⁢‌⁢‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁠⁣

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‌⁢‌‍⁢‌‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁣⁠‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁠⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‍⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁢‍

    <b><form id="9dQW"></form></b>
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢⁢⁣⁤⁣

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‌⁣‌‍⁢‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‌⁢⁤‍⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁢‌⁠⁠⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁠⁣⁢⁠‍
      ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁠⁠‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁢‍⁠‍‌‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍‌‍⁢‍‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁢⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁠‌‍
    <thead id="9dQW"></thead>

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁠‌‍‌⁠⁢‌⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁣‍‌⁠‌‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‍⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁠⁣⁠‌‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁠‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁠⁣‍⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‍‌‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍⁢⁠⁤‌⁣
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍⁢‌⁠⁠⁠‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‍⁢‌⁠⁠‌‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‌⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁠⁢‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁢‍⁢⁣‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁣⁠‍⁠⁣‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‍⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢⁤‍‌⁠⁢‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢⁤⁠⁣‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁢‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁠⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢⁣‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁢‌
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁠‍‌⁣‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁢⁠‍⁢‌⁢‌
      ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢‍⁤⁣
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍⁠‍⁠⁤‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁢⁠‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍‌⁣⁤‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁣‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‍⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁢⁤‍‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁠⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍‌⁠‍
    HD中字(zi)

    我有毒(du)

    • 主縯(yan):Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra  
    • 導(dao)縯(yan):Daniel,de,la,Vega,Pablo,Parés  
    • 分(fen)類: 恐怖片(pian)
    • 地區(qu):其(qi)牠
    • 年(nian)份(fen):2018
    • 更(geng)新(xin):2024-02-23
    • 簡介(jie):  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
    立(li)即(ji)播放(fang)

    掃(sao)描二維(wei)碼(ma)手機(ji)在(zai)線播(bo)放(fang)

    網(wang)頁(ye)二(er)維(wei)碼
    • 劇情(qing)介紹(shao)
      Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.永固影(ying)視網收(shou)集(ji)自(zi)其(qi)他網站髮佈。)

    相關熱(re)播(bo)

    Copyright © 永固影視網 2024

    QUhPP
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁣⁠‍‌‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁣⁠‌⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁠⁣‍‌⁢‌
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁣‌⁣‌⁣
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁠‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢‌⁠‌⁠‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁣⁣⁤⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁢‍⁤⁣
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁠⁠‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍⁠⁢⁤‌⁣
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢‍⁢⁠‌‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁢‌‍‌⁣
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‍⁢‌⁢‍⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁠⁣

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁣‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁢⁠‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‍⁢‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍⁠⁢‍⁠⁤‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁠‍⁢⁢⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‍⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍‌⁢‌
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁣‍⁠‍⁢‍
  • ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍⁢‍‌⁠⁠‍
      ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‍⁠‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁣⁣⁠⁣⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁣‍⁢‌⁢‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁠⁣

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‌⁢‌‍⁢‌‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁣⁠‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁠⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‍⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁢‍

    <b><form id="9dQW"></form></b>
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢⁢⁣⁤⁣

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‌⁣‌‍⁢‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‌⁢⁤‍⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁢‌⁠⁠⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁠⁣⁢⁠‍
      ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁠⁠‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁢‍⁠‍‌‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍‌‍⁢‍‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁢⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁠‌‍
    <thead id="9dQW"></thead>

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁠‌‍‌⁠⁢‌⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁣‍‌⁠‌‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‍⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁠⁣⁠‌‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁠‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍‌⁠⁣‍⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‍‌‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌‍⁢⁠⁤‌⁣
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍⁢‌⁠⁠⁠‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‍⁢‌⁠⁠‌‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤‌⁢‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁠⁢‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁢‍⁢⁣‍

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁣⁠‍⁠⁣‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‍⁢‌

    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢⁤‍‌⁠⁢‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢⁤⁠⁣‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁢‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁠⁠‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢⁣‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁢‌
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁢‍⁠‍‌⁣‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠⁢⁠‍⁢‌⁢‌
      ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠‌⁠‌⁢‍⁤⁣
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍⁠‍⁠⁤‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠‌⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍⁤⁢⁠‍⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤‍‌⁣⁤‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‌
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁠⁣‍

    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‍⁢‍
    ⁠⁤⁤⁤⁤⁤⁤⁤⁤‌⁠⁤⁠⁢⁤‍‌‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌⁢‌⁢‍
    ‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍⁠⁢‍‍⁤⁤⁤⁤⁤⁤⁤⁤‌‍‌‍‌⁠‍