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    HD中(zhong)字

    芳(fang)隣疑(yi)案

    • 主(zhu)縯(yan):斯科特·格倫(lun),安東尼·拉(la)帕(pa)格(ge)利(li)亞(ya),拉(la)臘(la)·弗林·鮑(bao)爾  
    • 導縯:格(ge)雷(lei)姆·尅利福(fu)悳  
    • 分(fen)類: 恐(kong)怖(bu)片
    • 地區:美國(guo)
    • 年份(fen):1994
    • 更新(xin):2024-02-23
    • 簡(jian)介(jie):  Here's a modern-day film noir in which you're never sure what's real and what isn't real. There is a possibility you may get tired of guessing and give up on this film 3/4ths of the way through, as I almost did but it worth finishing. It also was better the second time around  The problem is just too many flashbacks. If some of those scenes were not replayed so often, or a few of the many twists eliminated, it would have been a super movie. It still was fascinating in parts. It grabs you, and you can't stop watching to see what the real story is. Along the way, is a bunch of nice colors and some nice film noir-type in the beginning and then during the ending credits.
    立即(ji)播(bo)放

    掃描二(er)維碼(ma)手(shou)機在(zai)線播(bo)放(fang)

    網頁二維碼(ma)
    • 劇情介(jie)紹(shao)
      Here's a modern-day film noir in which you're never sure what's real and what isn't real. There is a possibility you may get tired of guessing and give up on this film 3/4ths of the way through, as I almost did but it worth finishing. It also was better the second time around  The problem is just too many flashbacks. If some of those scenes were not replayed so often, or a few of the many twists eliminated, it would have been a super movie. It still was fascinating in parts. It grabs you, and you can't stop watching to see what the real story is. Along the way, is a bunch of nice colors and some nice film noir-type in the beginning and then during the ending credits.永(yong)固(gu)影(ying)視網收(shou)集自其(qi)他網(wang)站(zhan)髮佈。)

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